![]() ![]() Some modulation is built into the algorithm, which may show up on things like piano if wound up to excess, but otherwise it works extremely well. ![]() ![]() Random Hall is a Lexicon classic with a somewhat irregular decay shape, well suited to orchestral music, but also flexible enough to be used in more contemporary productions. This is one of the newer Lexicon algorithms and shares some of its characteristics with the Random Hall and Concert Hall algorithms, the main difference being its smoother, less synthetic sound. The reverb density build‑up is more gradual than for smaller spaces, and the reverb time tends to be fairly long, with low frequencies hanging on longer than high frequencies. Here, the initial reflection density is low, due to the longer distances involved, with little energy coming back in the first 50 to 100 milliseconds. Hall is the most natural‑sounding concert hall setting. It can emulate small or large chambers, with a useful degree of control over character, and works well on many musical styles. The Chamber algorithm is designed to emulate the rather small, reflective rooms used as echo chambers in early studios, providing a rapid build‑up of reverb density with randomised decay tails.
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